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Contents. Album information The original release of the album contained 14 tracks, though it had 15 on some editions, namely the single and title track of the compilation album. It included two covers, one by the legendary Howlin' Wolf and one by Mississippi Fred McDowell, continuing the bands musical virtuosity and their habit of playing various styles on their albums. It also highlighted the time Mick Schauer spent playing the 'keys' with the band, on this and the following album, plus the subsequent tours. Robot Hive/Exodus also signified the beginning of keyboard player Mick Shauer's time with the band.
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Schauer would also contribute to their next album and subsequent tours. A reissue of the album was released on September 28, 2010 with only the original 14 tracks, with a slightly different album cover design and an accompanying DVD of their performance at the festival in July 2005. In popular culture. The song 'Mice and Gods' was used as the entrance music for.
The song '1' was featured in the video game as a jukebox song. The song 'Burning Beard' was featured in the video game. Track listing All tracks written by Clutch, except where noted. Title Writer(s) Length 1.
'The Incomparable Mr. Flannery' 3:34 2. 'Burning Beard' 4:00 3. 'Mice and Gods' 3:55 5. 'Never Be Moved' 4:04 7.
Myspace videos youtube. 'Small Upsetters' 2:38 9. 'Circus Maximus' 3:42 10. 'Tripping the Alarm' 2:25 11. '10,000 Witnesses' 3:29 12. 'Land of Pleasant Living' 4:06 13.
'Gravel Road' Lyrics: 5:18 14. 'Who's Been Talking?' (Howlin' Wolf) 3:46 15.
'Slow Hole to China' (bonus track) 3:20 Total length: 54:43 Track 15 is included as a bonus track on some editions of this album. 'What Would A Wookie Do?' And 'Bottoms Up, Socrates' were both recorded during the Robot Hive/Exodus sessions but appear on the compilation album, which is a reissue of the original 's Clutch released in the '90s; and, and these 2005 session out-takes. Personnel. – vocals, guitar, percussion.
– guitar. – bass. – drums, percussion. –, Production.
Produced by Clutch and J. Robbins. Recorded by J.
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Robbins at, and the. Engineered by Chris Laidlaw and at and at. Mixed by and Assisted by Ted young at,. Mastered by at. Art and Layout by for Charts Chart (2005) Peak position The Billboard 200 94 References.
A day late, perhaps, as I typed this text up and then somehow my drunken fingers deleted it, and I simply said FUCK IT. So where did we leave off? 'Jam Room' was originally released in 1999, then reissued in 2004.as with most Clutch releases, it's a fine blend of southern rock/riff rock/metal turning into a fine stoner rock blend. This is a very good disc as well, 'One Eye Dollar', 'The Drifter', and 'Big Fat Pig' are standouts. By now I assume you know if Clutch is your thing or not, so have at it as you will. 'Pitchfork and Lost Needles' was released in 2005, a re-issue of 'Pitchfork' as well as some demo tracks and stuff.
If you're a Clutch fan (by now), this will be of interest, really NOT essential, but still a fine record. From the same year comes 'Robot Hive Exodus', another good release, this one taking a more bluesy direction, maybe in the vein of Five Horse Johnson if you are familiar.
It's a god disc though, and the blues covers 'Gravel Road' and 'Who's Been Talking' work well.it's hard to write this band up, as they have consistently released such fine albums for such a long period of time, but, in general, most all of them are worth it for hard rock lovers. In 2008, they released 'From Beale Street To Oblivion', again, what can I say? This is a fine hard rock album as well. 'Electric Worry' is one of their best and there are plenty more hard rocking gems here. God, this is an underappreciated band, please help and change that, at least a little? 'Strange Cousins From the West' came out in 2009, and what do ya know, it kicks some serious ass as well, actually one of their better efforts (I seem to be saying that often), '50,000 Unstoppable Watts' and 'Abraham Lincoln' are among their better works, and that is not all. It's a fine album, and it's AMAZING how consistent these dudes released really good albums with no more recognition than they received.
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'Basket of Eggs' (2011) is a collection of acoustic takes and other stuff, if you are by now a full-fledged Clutch fan you might desire it, it is not an essential release. Try at your own risk. Now, the 'B-Sides and Rarities' collection IS pretty much an essential release, LOTS of undiscovered gems (that great version of 'Cross Eyed Mary' from 'Sucking in the 70's' (one of the first albums I EVER featured on this blog!), a slew of live tracks, this one you want. Unsure if it fits on a single disc or not, certainly you can figure it out.
And finally, the most recent release, 'Earth Rocker'. Can you believe? This is maybe their 'heaviest' release YET, pure stoner/grunge greatness.
Sorry, but it's just amazing for me that a band that has kicked it for this long stays fresh, hard rocking, and in tune with the times as this one has and recieve almost zero recognition. Clutch is a bad ass band. They rock hard, always have, and if I wake up ONE person to their greatness, I will have done my duty. Please check out the albums here, and let me know what you think, the fact that Clutch never hit it as big, as, say, at least, Orange Goblin or Fu Manchu (both of whom are great, make no mistake) is amazing to me. Let's get some recognition for the great CLUTCH! JAM ROOM 01 Who Wants To Rock/02 big Fat Pig/03 Going To Market/04 One Eye Dollar/05 Raised By Horses/06 Bertha's Big Back yard/07 Gnome Enthusiast/08 Swamp Boot Upside Down/09 Basket of Eggs/10 Release the Kraken/11 The Drifter/12 I Send Pictures/13 Sink Em Low/14 Super Duper/15 Release the Dub PITCHFORK AND LOST NEEDLES-01 Wicker/02 Arcadia/03 Juggernaut/04 Far country/05 Nero's Fiddle/06 Passive Restraints (Demo)/07 Bacchanal (Demo)/08 Milk of Human Kindness (Demo)/09 What Would a Wookie Do?/10 Bottoms Up, Socrates.